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Seven Inches of Satanic Panic is the third EP by the Swedish rock band Ghost.First released digitally on 13 September 2019 by Loma Vista Recordings, it features the songs "Kiss the Go-Goat" and "Mary on a Cross", written by vocalist Tobias Forge along with songwriters Salem al Fakir and Vincent Pontare.
Mary On A Cross (slowed + reverb) A Ghoul Writer (Tobias Forge), Salem Al Fakir, Vincent Pontare Mary On A Cross (slowed + reverb) - Single 2022 Orez Raey A Ghoul Writer (Tobias Forge), Indio Marcato (Martin Persner) Year Zero - Single: Nick Raskulinecz: 2013 Spillways (feat. Joe Elliot) A Ghoul Writer (Tobias Forge), Salem Al Fakir, Vincent ...
Pietro Perugino's depiction of Mary at the Cross, 1482. (National Gallery, Washington) The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.
of the Virgin Mary, truly suffered, sacrificed on the cross for mankind, from whose pierced side flowed water and blood: Be for us a foretaste [of the Heavenly banquet] in the trial of death! O sweet Jesus, O holy Jesus, O Jesus, son of Mary, have mercy on me. Amen.
The papal coat of arms of John Paul II features a cross shifted away from its usual central position to make room for a letter "M" in the sinister base quarter (lower right as seen by the viewer), which represents the Virgin Mary’s presence at Jesus’ death on the cross. [3] In a 1978 article, Vatican newspaper, L'Osservatore Romano, reported:
The Independent gave the compilation a mixed review, writing that "the most interesting tracks here are the cover versions of songs like 'Guitarman' (Elvis done in the vein of Dylan), 'Little Red Rooster', and Leonard Cohen's 'Tower of Song', whose exhausted languor makes a surprisingly smooth transfer to Mary Chain mode".
The first recording of the song was by the Fisk Jubilee Singers in 1915. [1] [5] The folklorist Alan Lomax recorded several traditional variants of the song in the 1930s, 40s and 50s across the United States, from Mississippi [6] to Ohio [7] to Michigan, [8] including one version by Huddie Ledbetter (Lead Belly) of Louisiana in 1935.
A tempo (or metric) modulation causes a change in the hierarchical relationship between the perceived beat subdivision and all potential subdivisions belonging to the new tempo. Benadon has explored some compositional uses of tempo modulations, such as tempo networks and beat subdivision spaces.