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The great hall of the castle. To the right, a large colonnade leading to a smaller hall, in the back of which is a balcony. Othello and Iago talking in the hall as a herald enters. The Act 3 set at the 1887 premiere in Milan. Illustration by Ed. Ximenes after the original stage design by Carlo Ferrario.
Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Otello is an opera in three acts by Gioachino Rossini to an Italian libretto by Francesco Berio di Salsa [] after William Shakespeare's play Othello, or The Moor of Venice; it was premiered in Naples, Teatro del Fondo, 4 December 1816.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
But from the third act onwards Othello catches this line of imagery from Iago as his irrational jealousy takes hold. [58] The same occurs with "diabolical" imagery (i.e. images of hell and devils) of which Iago uses 14 of his 16 diabolical images in the first two acts, yet Othello uses 25 of his 26 in the last three acts. [59]
Set in three eras, 1860, just prior to the emancipation proclamation, 1928, during the Harlem Renaissance, and contemporary Harlem, at the corner of Martin Luther King and Malcolm X boulevards (an actual place in New York City, 125th Street and Lennox Avenue), Harlem Duet is a non-chronological prequel to Shakespeare's Othello.
Iago plots to manipulate Othello into demoting Cassio, and thereafter to bring about the downfall of Othello himself and also others in the play who trusted Iago. He has an ally, Roderigo, who assists him in his plans in the mistaken belief that after Othello is gone, Iago will help Roderigo earn the affection of Othello's wife, Desdemona ...
Bianca is a fictional character in William Shakespeare's Othello (c. 1601–1604). She is Cassio's jealous lover. Despite her brief appearance on stage, Bianca plays a significant role in the progress of Iago's scheme to make Othello believe that his wife Desdemona is cheating on him with Cassio.