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Tolkien's illustrations contributed to the effectiveness of his writings, though much of his oeuvre remained unpublished in his lifetime. However, the first British edition of The Hobbit in 1937 was published with ten of his black-and-white drawings. [1] In addition, it had as its frontispiece Tolkien's drawing The Hill: Hobbiton-across-the-Water.
The Black and White Club was an art association in New York. [1] [2] It held monthly exhibits by 1895. [3] Members included E. Irving Couse, Margaret Fernie Eaton, Hugh M. Eaton, Robert Bruce Horsfall, Walter Russell. [4]
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The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century.
Black and white chalk on paper: 19.5 x 23.4 cm: Nationalmuseum, Stockholm: The drawing is related to the painting W130 : Old Man Leaning on a Stick: 1632–1635: Pen and brown ink: 13.5 x 7.8 cm: Metropolitan Museum of Art, New York: The drawing is related to the etching B133 : Study for Drunk Lot: 1633: Black chalk on paper: 25.1 x 18.9 cm ...
Los Angeles County Museum of Art: 72: Portrait of a 40-year-old Man: 1632: Oil on panel: 75.6 x 52.1: Metropolitan Museum of Art, New York: 73: Portrait of a 39-year-old Woman: 1632: Oil on panel: 74.5 x 55: Nivaagaards Malerisamling: 74: The hand and the booklet were added by another painter Portrait of a 62-year-old Woman, possibly Aeltje ...