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Religious, [28] and temperance subjects were in great demand [29] Staffordshire pottery owners included many Nonconformists, and John Wesley was the post-biblical religious figure most often depicted, with 18 versions of him and his brother from Victoria's reign alone. [30]
The Ridgway family was one of the important dynasties manufacturing Staffordshire pottery, with a large number of family members and business names, over a period from the 1790s to the late 20th century. In their heyday in the mid-19th century there were several different potteries run by different branches of the family.
Samuel Alcock (1799–1848) was an English pottery manufacturer who operated as Samuel Alcock & Co in Burslem, Staffordshire from 1828 to 1859. They were especially noted for "picture jugs" modelled and moulded in relief in various ceramic materials, a popular type of object in these years.
Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other ...
There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery. Eastwood works in Litchfield Street, Hanley, remains to this day and is now the Emma Bridgwater factory, decorating studio and outlet shop. The firm was taken over by the Wedgwood Group in 1970. In 2000 production under the Meakin name ceased and their long-established works ...
The enlarged new pottery was then called Phoenix Pottery. [5] Following this move, in 1881, Forester received the largest order for Majolica goods ever received by a Pottery in Staffordshire up to that year. It was estimated that the value was £3,000 for 8,000 pieces of one class of goods, with the order coming from America. [6]