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The nature of wood defines woodturning techniques. The orientation of the wood grain, relative to the axis of the lathe, affects the tools and techniques used by the woodturner. In spindle turning, the grain runs lengthwise along the lathe bed, as if a log were mounted in the lathe.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.
Both his grandfather, George William Lailey (1782–1871) [1] and his father William (1847–1912) were also bowl-turners, specialising in the production of bowls and plates from elm wood using a pole lathe. [2] George Lailey was particularly noted for his exceptional skill of turning bowls in a 'nest', one inside another. [3]
"An indescribable surface that begs for a caress of the hand--that's what I think wood should provide." [ 3 ] Raffan is known for using native Australian woods, for the architectural influences in his turned objects, and for his groupings of related objects into sets (e.g. his "Citadel" and "Tower" series of boxes, etc.)
Bob Stocksdale (1913 – January 6, 2003) [1] [2] was an American woodturner, known for his bowls formed from rare and exotic woods. He was raised on his family farm [ 2 ] and enjoyed working with tools.
A drawknife with a curved, sometimes completely circular blade, often used for hollowing out objects such as bowls. scratch awl A sharp-pointed hand tool used to mark wood for cutting, usually used in joinery or when a more precise mark is needed beyond that provided by a pencil or other method of marking the cut. scribing. Also called coping.