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  2. Murtaza Kabir Murad - Wikipedia

    en.wikipedia.org/wiki/Murtaza_Kabir_Murad

    During 1992–1999, he got lessons in flute from Ustad Shamsur Rahman in Dhaka. He was listed A-grade flute player on Bangladesh Television and Bangladesh Betar. He authored the book "Shahaj Bashi Sheekkhya", the first flute learning book in Bangladesh. [3] As of 2017, Murad is serving as a teacher in the Flute department at Chhayanaut. [4] [5]

  3. Flute method - Wikipedia

    en.wikipedia.org/wiki/Flute_method

    A Flute method is a type of specific textbook-style pedagogy for learning to play the flute. It often contains fingering charts, scales , exercises, and occasionally etudes . These exercises are often presented in different keys in ascending order to aid in difficulty, known as methodical progression, or to focus on isolated aspects like ...

  4. List of compositions for flute - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_for_flute

    Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib Quinteto (em forma de chôros) for flute, oboe, cor anglais, clarinet and bassoon Carl Maria von Weber :

  5. Flute - Wikipedia

    en.wikipedia.org/wiki/Flute

    The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air.. Flutes produce sound when the player's air flows across an ope

  6. Atenteben - Wikipedia

    en.wikipedia.org/wiki/Atenteben

    Atente is a plural word derived from otente, the name of an Akan traditional hand drum with two heads covering both ends - thus, "one otente drum" but "two atente drums", and "ben" means flute or an instrument of the aerophones family. The atente drums were the principal instruments that accompanied this flute, hence the name atenteben (or the ...

  7. French Flute School - Wikipedia

    en.wikipedia.org/wiki/French_Flute_School

    The French Flute School, as practiced by pupils of Paul Taffanel at the Paris Conservatoire, employed a playing style featuring a light tone and vibrato. Students strived to capture the sound quality of Taffanel in their own playing.

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