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Sin City was nominated at the 2006 MTV Movie Awards in three categories: ... Unlike the 2005 original, the sequel was a critical and financial failure. [29] [30] [31]
Sin City is a series of neo-noir comics by American comic book writer-artist Frank Miller. The first story originally appeared in Dark Horse Presents Fifth Anniversary Special (April 1991), and continued in Dark Horse Presents #51–62 from May 1991 to June 1992, under the title of Sin City , serialized in thirteen parts.
Sin City: A Dame to Kill For (also known as Frank Miller's Sin City: A Dame to Kill For) [4] [5] [6] is a 2014 American action crime anthology film and follow-up to the 2005 film Sin City. Directed by Robert Rodriguez and Frank Miller , the script is written by Miller and is primarily based on the second book in the Sin City series by Miller, A ...
The '60s brought an entertainment boom to Las Vegas, with both live acts and films set in Sin City, starting with the Rat Pack and the 1960 original "Ocean's 11."
Sin City: Original Motion Picture Soundtrack is the soundtrack to the 2005 film Sin City.It features music composed by Robert Rodriguez, John Debney and Graeme Revell, performed by the Hollywood Studio Symphony, as well as the orchestral track "Sensemayá" from Mexican composer Silvestre Revueltas and the electronica piece "Absurd" by Fluke.
Sin City page at Dark Horse Comics Archived 2006-01-14 at the Wayback Machine; Sin City Overview and Art From The Graphic Novel; Sin City, from an ad-supported website "devoted to the sophisticated study of comic books" Frank Miller: The Complete Works, The most comprehensive listing of all of Frank Miller's works. Includes very detailed ...
Dwight McCarthy is one of the principal characters in Frank Miller's Sin City universe. [1] He appears in A Dame to Kill For, The Big Fat Kill, Family Values, The Babe Wore Red and That Yellow Bastard. He is the character that appears the most in all the Sin City yarns.
In the book Sin City: The Making of the Movie, creator Frank Miller describes the creation of Marv as a juxtaposition of his two biggest influences: film noir and medieval stories. The result was the idea for a character he called "Conan in a trench coat." In the film Sin City his good friend Dwight remarks "most people think Marv is crazy. He ...