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At the start of the 20th century Alfred Stieglitz was the single most important figure in American photography. [4] He had been working for many years to raise the status of photography as a fine art by writing numerous articles, creating exhibitions, exhibiting his own work and, especially by trying to influence the artistic direction of the Camera Club of New York.
In September, 1894, Alfred Stieglitz returned to New York after an extended tour in Europe. He found both the quality and quantity of what he considered to be artistic photography, such as that promoted by the Linked Ring in Britain, was much greater in Europe than in the United States, and he was determined to do something to advance fine art photography in America.
The Terminal (1893) by Alfred Stieglitz. The Terminal is a black and white photograph taken by Alfred Stieglitz in 1893. The photograph was taken in New York using the small 4 x 5 camera, which was a more practical instrument to document the city life than the 8 x 10 view camera, who could only work with a tripod.
Alfred Stieglitz HonFRPS (/ ˈ s t iː ɡ l ɪ t s /; January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form.
Alfred Stieglitz's photograph The Steerage (1907) was an early work of artistic modernism, and considered by many historians to be the most important photograph ever made. [1] Stieglitz was notable for introducing fine art photography into museum collections.
Likely point where Stieglitz stood aboard the Kaiser Wilhelm II to take the photo. Shown on a model of the ship in the Deutsches Museum, Munich. In June 1907 Stieglitz and his family sailed to Europe to visit relatives and friends. They booked passage on the SS Kaiser Wilhelm II, one of the largest and fastest ships in the world at that time ...
Francis Picabia, Ici, c'est ici Stieglitz, foi et amour, cover of 291, No. 1, 1915. Wanting to live up to the high standards set in Camera Work, Stieglitz and his colleagues decided to publish two editions of the magazine: a standard subscription printed on heavy white paper and a deluxe edition, limited to 100 copies, printed on Japanese ...
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.