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Joseph O. Legaspi [1] is an American poet. [2] He is the author of two full length poetry collections and two full-length poetry chapbooks. [3] [4] [5]With the poet Sarah Gambito, he cofounded Kundiman, a national nonprofit organization that nurtures generations of writers and readers of Asian American literature.
"The Crown Returns to the Queen of the Fishes". Illustration by H. J. Ford for Andrew Lang's The Orange Fairy Book Folio Society editions of the Coloured Fairy Books. The best-known volumes of the series are the 12 Fairy Books, each of which is distinguished by its own color.
To my Sister 1798 Former titles: Bore the title of: "Lines written at a small distance from my House, and sent by my little Boy to the person to whom they are addressed." from 1798–1815 and "To my Sister; written at a small distance from my House, and sent by my little Boy" from 1820–1843. From 1845 onward the poem bore the current title.
The ode was the final poem of the fourth and final book, and it had its own title-page, suggesting that it was intended as the poem that would serve to represent the completion of his poetic abilities. The 1820 version also had some revisions, [14] including the removal of lines 140 and 141. [15]
"To a Butterfly" is a lyric poem written by William Wordsworth at Town End, Grasmere, in 1802. It was first published in the collection Poems, in Two Volumes in 1807. Wordsworth wrote two poems addressing a butterfly, of which this is the first and best known. [ 1 ]
The Bush twins are releasing a new children's book, and it's perfect for any "mommies-to-be.". On the Monday, Dec. 9 segment of The Today Show, Jenna Bush Hager revealed that she and her sister ...
Lucy Gray is generally not included with Wordsworth's "Lucy" poems, [4] even though it is a poem that mentions a character named Lucy. [3] The poem is excluded from the series because the traditional "Lucy" poems are uncertain about the age of Lucy and her actual relationship with the narrator, and Lucy Gray provides exact details on both. [5]
David Wheatley said it was a "heartening book", and that "Oswald shows that poetry need not choose between Hughesian deep myth and Larkinesque social realism". He praised the poem as ambitious and said that Oswald "shows, post-New Generation, that wry ironies and streetwise demotic do not exhaust the available range of tonal and thematic ...