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  2. Audio bit depth - Wikipedia

    en.wikipedia.org/wiki/Audio_bit_depth

    24-bit and 32-bit audio does not require dithering, as the noise level of the digital converter is always louder than the required level of any dither that might be applied. 24-bit audio could theoretically encode 144 dB of dynamic range, and 32-bit audio can achieve 192 dB, but this is almost impossible to achieve in the real world, as even ...

  3. Comparison of analog and digital recording - Wikipedia

    en.wikipedia.org/wiki/Comparison_of_analog_and...

    The level of the noise depends on the number of the bits in the channel." [9]: 6 The range of possible values that can be represented numerically by a sample is determined by the number of binary digits used. This is called the resolution, and is usually referred to as the bit depth in the context of PCM audio.

  4. Audio signal - Wikipedia

    en.wikipedia.org/wiki/Audio_signal

    Signal flow is the path an audio signal will take from source to the speaker or recording device. Signal flow may be short and simple as in a home audio system or long and convoluted in a recording studio and larger sound reinforcement system as the signal may pass through many sections of a large mixing console, external audio equipment, and even different rooms.

  5. Sub-band coding - Wikipedia

    en.wikipedia.org/wiki/Sub-band_coding

    A high quality signal is possible, but at the cost of a high bitrate (e.g., over 700 kbit/s for one channel of CD audio). In effect, many bits are wasted in encoding masked portions of the signal because PCM makes no assumptions about how the human ear hears. Coding techniques reduce bitrate by exploiting known characteristics of the auditory ...

  6. Sound localization - Wikipedia

    en.wikipedia.org/wiki/Sound_localization

    Depending on where the source is located, our head acts as a barrier to change the timbre, intensity, and spectral qualities of the sound, helping the brain orient where the sound emanated from. [5] These minute differences between the two ears are known as interaural cues. [5]

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  8. Neuroscience of music - Wikipedia

    en.wikipedia.org/wiki/Neuroscience_of_music

    The neuroscience of music is the scientific study of brain-based mechanisms involved in the cognitive processes underlying music. These behaviours include music listening , performing , composing , reading, writing, and ancillary activities.

  9. How Quincy Jones Helped Michael Jackson Craft the Smash ... - AOL

    www.aol.com/lifestyle/quincy-jones-helped...

    Michael Jackson first rose to fame in the early ‘70s as the pint-sized frontman of Motown’s Jackson 5. But Jackson became a bonafide superstar with his first solo album for Epic Records, Off ...