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The shawl lapel, shawl collar, or roll collar is a continuous curve. Originally seen on the Victorian smoking jacket , it is now most common on the dinner jacket or tuxedo. [ 4 ] This similarly began as informal eveningwear, and was then made in both more and less formal versions, depending on the situation in which it was to be used.
Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
The "Norwich shawl" was produced by hand weavers using silk and worsted and supplied the high end of the market. [7] [8] Paisley shawls, imitation Kashmiri shawls woven in Paisley, Renfrewshire, are the origin of the name of the traditional paisley pattern. Decline in market for expensive shawls, due to changes in fashion and the mass market ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
[3] Pelisse of the 18th century resembled a hooded cloak, whereas those of the early 19th century, as both a coat-like garment and a dress, were more fitted to the body, reflecting the Empire line of the period. [3] Pelisse could be made from any number of different fabrics, from lightweight cotton muslins to heavier woollens. [4]
Woman's dolman mantle, front and back views. Harper's Bazaar, November 1871. A mantle (from old French mantel, from mantellum, the Latin term for a cloak) is a type of loose garment usually worn over indoor clothing to serve the same purpose as an overcoat.