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Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records.Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles.
"The Return of the Son of Monster Magnet" is a Frank Zappa composition, performed by the Mothers of Invention, released on the Mothers' debut album, Freak Out!. It is the longest song on the album, at 12:17, consisting of 2 parts: "Ritual Dance Of The Child-Killer", and "Nullis Pretii (No Commercial Potential)".
Recording sessions generated two tracks, including "Suzy Creamcheese", a bizarre tune written by Conway and promoter Jerry Ralston. [5] The song was inspired by the opening dialogue—which "Suzy Creamcheese" features Flores mysteriously reciting—taken from the Frank Zappa composition "The Return of the Son of Monster Magnet". [6]
The Frank Zappa AAAFNRAA Birthday Bundle 21.12.2014 (Download only) ... "Son of Suzy Creamcheese" b/w "Big Leg Emma" (both tracks with The Mothers of Invention) ...
Suzy Creamcheese was also a popular clothing store in Vegas with a designer of the same assumed name. The reference in Casino was about buying clothes from that store. Frank Zappa was also friendly withe designer Suzy Creamcheese whose real name is Leslie Dekaiser. She went to prison in the 80's for drugs.
The writer and actress — who scored a Top 40 hit, "Valley Girl," with her Rock and Roll Hall of Famer dad Frank Zappa in 1982 at age 14 — details her journey to self-awareness in her new book ...
When rock legend Frank Zappa died in 1993 after a years-long battle with prostate cancer, he left a lot of things unsaid, particularly between him and his daughter Moon Unit Zappa. In her new book ...
The song starts off with a piano intro, followed by a brief spoken part containing the aforementioned utterances by Zappa and Suzy Creamcheese. From then on, the song proper begins, a Waltz featuring a harpsichord, acoustic guitar, and a heavy use of reverb and other sound effects, which give the song a pseudo-psychedelic feel.