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The Gothic style of plate armour peaked in a form known as Maximilian armour, produced during 1515–1525. High Gothic armour was worn during the later 15th century, a transitional type called Schott-Sonnenberg style was current during c. 1500 to 1515, and Maximilian armour proper during 1515 to 1525. [ 1 ]
The Hall of Steel in the Royal Armouries in Leeds Gothic plate armour, Royal Armouries in Leeds Part of the display at the Tower of London. The Royal Armouries is the United Kingdom's national collection of arms and armour. Once an important part of England's military organization, it became the United Kingdom's oldest museum, and one of the ...
The Royal Armouries Museum in Leeds, West Yorkshire, England, is a national museum that holds the National Collection of Arms and Armour.It is part of the Royal Armouries family of museums, with other sites at the Royal Armouries' traditional home in the Tower of London, and the National Collection of Artillery at Fort Nelson, Hampshire.
Late medieval gothic plate armour with list of elements. The slot in the helmet is called an occularium. This list identifies various pieces of body armour worn from the medieval to early modern period in the Western world, mostly plate but some mail armour, arranged by the part of body that is protected and roughly by date.
By the early fifteenth century the use of gousset was generally restricted to joints such as the hip, neck, armpits, and elbows. It declined in Italian white armour as improvements in armor design covered these areas with plate. Gousset was nearly absent from white armor by 1450, but remained in German Gothic plate armour throughout most of the ...
A full suit of plate armour would have consisted of a helmet, a gorget (or bevor), spaulders, pauldrons with gardbraces to cover the armpits as was seen in French armour, [16] [17] or besagews (also known as rondels) which were mostly used in Gothic Armour, rerebraces, couters, vambraces, gauntlets, a cuirass (breastplate and backplate) with a ...
Fifteenth-century examples may include mail goussets sewn into the elbows and armpits, to protect the wearer in locations not covered by plate. German gothic armour arming doublets were generally shorter than Italian white armour doublets, which could extend to the upper thigh. In late fifteenth-century Italy, this also became a civilian fashion.
Many of the exceptional armours created by the Helmschmied workshop during Lorenz's lifetime, which include protections for both man and horse as well as specialized types of plate for tournament and field combat, remained in Habsburg imperial armouries and can be seen today in the Kunsthistorisches Museum in Vienna and the Royal Armoury of Madrid.