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Rasgueado (also called Golpeado, [1] Rageo (spelled so or Rajeo), Rasgueo or Rasgeo in Andalusian dialect and flamenco jargon, or even occasionally Rasqueado) is a guitar finger strumming technique commonly associated with flamenco guitar music.
One technique on guitar involves strumming palm muted power chords in an up-and-down motion with a pick, thereby creating an ostinato. [3] [4] Variations include the triplet gallop [5] and the reverse gallop. [6] On drums, the technique often uses a double kick pedal. A typical drum gallop is formed around this skeleton:
The pattern most typical of rock and related styles is: 1&2&3&4& d du udu. The final upstroke is sometimes omitted altering the strumming pattern slightly to d du ud. This pattern is often called "Old Faithful", [7] or when played on ukulele, the "Island Strum". Examples of other strumming patterns include: [8] Single down strum: d d d d
The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
A common characteristic of clawhammer patterns is the thumb does not pick on the downbeat, as one might in typical fingerpicking patterns for guitar. For example, this is a common, basic 2/4 pattern: A fingerpicked melody quarter note on the downbeat, Other strings strummed with the fingers, for a total of roughly an eighth note starting on the ...
I–V–vi–IV progression in C Play ⓘ vi–IV–I–V progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several music genres.
Left hand finger patterns, after George Bornoff First position fingerings. While beginning violin students often rely on tapes or markers placed on the fingerboard for correct placement of the left-hand fingers, more proficient and experienced players place their fingers on the right spots without such indications but from practice and experience.
In writing about music, it is sometimes necessary to use musical symbols within the text, as opposed to a musical example that might interrupt the flow of the text. Some of these needs are answered by Template:Music.