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The Ascension of Jesus (anglicized from the Vulgate Latin: ascensio Iesu, lit. 'ascent of Jesus') is the Christian belief, reflected in the major Christian creeds and confessional statements, that Jesus ascended to Heaven after his resurrection, where he was exalted as Lord and Christ, [1] [2] sitting at the right hand of God.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian belief that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
By the end of the century Bishop Epiphanius of Salamis (died 403) "seems to have been the first cleric to have taken up the matter of Christian religious images as a major issue". [25] He wrote an appeal to John, Bishop of Jerusalem (c. 394) in which he recounted how he tore apart a curtain hanging on the doors of the church decorated with an ...
But when the pagan Celsus ridiculed the Christian religion for having an ugly God in about 180, Origen (d. 248) cited Psalm 45:3: "Gird thy sword upon thy thigh, mighty one, with thy beauty and fairness" [27] Later the emphasis of leading Christian thinkers changed; Jerome (d. 420) and Augustine of Hippo (d. 430) argued that Jesus must have ...
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
Certain early Christian writers identified the Angel of the Lord as a pre-incarnate Christ. For example, Justin Martyr claimed that the Angel was the Logos. He writes that "He who is called God and appeared to the patriarchs is called both Angel and Lord ...The word of God, therefore, recorded by Moses, when referring to Jacob the grandson of Abraham, speaks thus" [8] and that "neither Abraham ...
God the Father turning the press and the Lamb of God at the chalice. Prayer book of 1515–1520. The image was first used c. 1108 as a typological prefiguration of the crucifixion of Jesus and appears as a paired subordinate image for a Crucifixion, in a painted ceiling in the "small monastery" ("Klein-Comburg", as opposed to the main one) at Comburg.