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Cinecolor 35mm film stock cost about 25% less than Technicolor (in 1946, 4.5 cents a foot for Cinecolor vs. 5.97 cents a foot for Technicolor). International Projectionist noted that "Cinecolor's service charges are also lower than Technicolor's, and the cost differential on a standard feature will exceed $50,000 by the time prints have been ...
Excerpt from the surviving fragment of With Our King and Queen Through India (1912), the first feature-length film in natural colour, filmed in Kinemacolor. This is a list of early feature-length colour films (including primarily black-and-white films that have one or more color sequences) made up to about 1936, when the Technicolor three-strip process firmly established itself as the major ...
Cinecolor (I) 1932 Subtractive (2 color) William T. Crispinel Alan M. Gundelfinger Sweden, Land of the Vikings (1934) Honeymoon Hotel (1934) Technicolor (IV) 1932 Subtractive (3 color) Joseph A. Ball Flowers and Trees (1932) Morgana Color: 1932 Additive (2 color) Bell and Howell Lady Juliet Williams N/A (16mm only) Gasparcolor: 1933 Subtractive ...
Still from test film made by Edward Turner in 1902, as secret technology. Color motion picture film refers both to unexposed color photographic film in a format suitable for use in a motion picture camera, and to finished motion picture film, ready for use in a projector, which bears images in color.
The first Color Classic was photographed with the Two-Color, two strip Cinecolor process. The rest of the 1934 and 1935 cartoons were filmed in Two-Color Technicolor, because the Disney studio had an exclusive agreement with Technicolor that prevented other studios from using the Three-Color process.
"Technicolor is natural color" Paul Whiteman stars in an ad for his film King of Jazz from The Film Daily, 1930 Technicolor is a family of color motion picture processes. The first version, Process 1, was introduced in 1916, [1] and improved versions followed over several decades.
He was born in Weymouth, England on 9 July 1890. He experimented with early color photography as a teenager. In 1906 he joined Kinemacolor.In 1932 he developed Cinecolor and started a company to sell the process, making himself president.
In 1934, Schlesinger produced his first color Merrie Melodies shorts, Honeymoon Hotel and Beauty and the Beast, which were produced in two-strip Cinecolor (Disney then had exclusive animation rights to the richer three-strip Technicolor process). [9]