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"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
A chord consisting of the root, third, fifth, and flatted seventh degrees of the scale. It is characteristic of barbershop arrangements. When used to lead to a chord whose root is a fifth below the root of the barbershop seventh chord, it is called a dominant seventh chord. Barbershoppers sometimes refer to this as the 'meat 'n' taters chord'.
English: "The Lost Chord" (1877) by Arthur Sullivan and Adelaide Anne Procter, sung by Reed Miller for Edison Records in 1913. Македонски: „ Изгубениот акорд “ ( The Lost Chord , 1877) од Артур Саливан и Аделаид Ен Проктер во изведба на Рид Милер, снимено во ...
Barbershop harmony is a style of unaccompanied vocal music characterized by consonant four-part chords for every melody note in a predominantly homophonic texture. Each of the four parts has its own role: the lead sings the melody, with the tenor harmonizing above the melody, the bass singing the lowest harmonizing notes, and the baritone completing the chord.
Abbott, Lynn (1992): Play That Barber Shop Chord: A Case for the African-American Origin of Barbershop Harmony. American Music 10, no. 3, 289–325. Stebbins, Robert A. (1996): The Barbershop Singer: Inside the Social World of a Musical Hobby. Toronto: University of Toronto Press. Averill, Gage (1999): Bell Tones and
The Lost Chord" is the title of an 1877 song composed by Arthur Sullivan. The phrase arises from musical sounds, in particular purely harmonic or nearly harmonic chords that were "lost" to music with the change to twelve-tone equal tempered tuning , not yet completed at the time that Sullivan wrote the song.
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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.