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The lekythos was used for anointing unmarried women's dead bodies, and many lekythoi are found in tombs. The images on lekythoi were often depictions of daily activities or rituals. Because they are so often used in funerary situations, they may also depict funerary rites, a scene of loss, or a sense of departure as a form of funerary art ...
The lekythos was another style of funerary vase that usually held ritual oil. It had a slender body with a single handle. One famous artist of lekythoi was the Achilles Painter. Funeral lekythoi were often painted in the white ground technique. The kylix, popular at symposiums, was a stout drinking cup with a very wide bowl.
Many funerary steles show the deceased, usually sitting or sometimes standing, clasping the hand of a standing survivor, often the spouse. When a third onlooker is present, the figure may be their adult child. Women played a major role in funeral rites. They were in charge of preparing the body, which was washed, anointed and adorned with a wreath.
The Thanatos Painter (5th century BCE) was an Athenian Ancient Greek vase painter who painted scenes of death on white-ground cylindrical lekythoi. [1] All of the Thanatos Painter's found lekythoi have scenes of or related to death ( thanatos in Greek) on them, including the eponymous god of death Thanatos carrying away dead bodies.
vases for oils, perfumes and cosmetics, including the large lekythos, and the small aryballos, alabastron, and askos. In addition, various standard types might be used as external grave-markers (in extra-large versions, sometimes in stone), funerary urns containing ashes, or as grave goods.
A lekythos by the Reed Painter is one of only a few white-figure examples that depict a horseman at a tomb; unusually, the youth sits at the tomb with his horse rather than riding it. [3] He may be an ephebe in training for the cavalry, as he wears the black cloak ( chlamys ) that was characteristic attire for the Athenian ephebe at certain ...
Her Majesty’s coffin was draped with the Royal Standard of Scotland and a circular wreath of white flowers.
The fragments of these large funerary vases show mainly processions of chariots or warriors or of the funerary scenes: πρόθεσις (prothesis; exposure and lamentation of dead) or ἐκφορά (ekphora; transport of the coffin to the cemetery). The bodies are represented in a geometrical way except for the calves, which are rather ...