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Style brisé (French: "broken style") is a general term for irregular arpeggiated texture in instrumental music of the Baroque period. It is commonly used in discussion of music for lute, keyboard instruments, or the viol. The original French term, in use around 1700, is style luthé ("lute style").
Jan Antonín Losy, Count of Losinthal (German: Johann Anton Losy von Losinthal); also known as Comte d'Logy (Losi or Lozi), (c. 1650 [1] – 22 August 1721 [2]) was a Bohemian aristocrat, Baroque lute player and composer from Prague. His lute works combine the French style brisé with a more Italian cantabile style. He was probably the most ...
A prolific and highly original composer, Kapsberger is chiefly remembered today for his lute and theorbo (chitarrone) music, which was seminal in the development of these as solo instruments. First measures of the tablature of the first tocatta of the libro primo d'intavolatura di chitarone (first book of chitarone tablature) by Johannes ...
Mlle Bocquet (either Anne or Marguerite) (early 17th century–after 1661) was a French lutenist and composer. She ran a Salon with a Mlle de Scudéry from 1653–1659. She was in contact with members and founders of the Académie française. [1]
Tablature was first used in the Middle Ages for organ music and later in the Renaissance for lute music. [30] In most lute tablatures, a staff is used, but instead of pitch values, the lines of the staff represent the strings of the instrument. The frets to finger are written on each line, indicated by letters or numbers. Rhythm is written ...
In English early Baroque music, a broken consort is an ensemble featuring instruments from more than one family, for example a group featuring both string and wind instruments. A consort consisting entirely of instruments of the same family, on the other hand, was referred to as a "whole consort ", though this expression is not found until well ...
The composition is written on the next two pages, on systems of two staffs, with a soprano clef for the upper staff, and a bass clef for the lower staff. Although, in the first half of the 18th century, a tablature notation was common for lute compositions, Kellner thus wrote the Prelude down in a notation which at the time was customary for keyboard compositions. [10]
The Suite in G Minor, BWV 995, was transcribed for lute by composer Johann Sebastian Bach between the spring of 1727 and the winter of 1731 from his own Cello Suite No. 5, BWV 1011. It is in six movements: Präludium – Très Vite Allemande Courante Sarabande Gavotte I – Gavotte II En Rondeaux Gigue