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Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major has an F in its key signature, making it less convenient to use. A-flat minor, its enharmonic, has seven flats, whereas G-sharp minor only has five sharps; thus G-sharp minor is sometimes used as the parallel minor for A-flat ...
The G-sharp minor prelude (and the fugue) from the same set ends with a Picardy third, on a G-sharp major chord. G-sharp major is tonicised briefly in several of Frédéric Chopin's nocturnes in C-sharp minor. A section in the second movement of Chopin's Piano Concerto No. 1 is in G-sharp
Some key signatures have an enharmonic equivalent that contains the same pitches, albeit spelled differently. In twelve-tone equal temperament, there are three pairs each of major and minor enharmonically equivalent keys: B major/C ♭ major, G ♯ minor/A ♭ minor, F ♯ major/G ♭ major, D ♯ minor/E ♭ minor, C ♯ major/D ♭ major and ...
More often, pieces in a minor mode that have A-flat's pitch as tonic are notated in the enharmonic key, G-sharp minor, because that key has just five sharps as opposed to the seven flats of A-flat minor. In some scores, the A-flat minor key signature in the bass clef is written with the flat for the F on the second line from the top. [nb 1]
Its parallel minor, A-flat minor, is usually written instead as the enharmonic key of G-sharp minor, since A-flat minor, which contains seven flats, is not normally used. Its enharmonic, G-sharp major , with eight sharps , including the F , has a similar problem, and so A-flat major is often used as the parallel major for G-sharp minor.
When a musical key or key signature is referred to in a language other than English, that language may use the usual notation used in English (namely the letters A to G, along with translations of the words sharp, flat, major and minor in that language): languages which use the English system include Irish, Welsh, Hindi, Japanese (based on katakana in iroha order), Korean (based on hangul in ...
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In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all of the same notes but are arranged in a different order of whole steps and half steps. A pair of major and minor scales sharing the same key signature are said to be in a relative relationship.