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Pages in category "1700s paintings" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. B.
Pages in category "17th-century paintings" The following 79 pages are in this category, out of 79 total. This list may not reflect recent changes. A.
Matteo Ghidoni, Italian painter of burlesque genre paintings (date of birth unknown) Agostino Lamma, Italian painter specializing in battle paintings (born 1636) Pedro Nuñez de Villavicencio, Spanish painter (born 1635) Johannes Skraastad, Norwegian woodcarver (born 1648) Hans van Steenwinckel the Youngest, Danish sculptor and architect (born ...
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, [1] during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.
Art from this period shows influences from both the north of Europe (Dutch and Flemish schools) and from Roman painters of the Counter-Reformation. Artists in France frequently debated the merits between Peter Paul Rubens (the Flemish Baroque, voluptuous lines and colors) and Nicolas Poussin (rational control, proportion, Roman classicism).
La Belle Strasbourgeoise is the most famous of the circa 1,500 portrait paintings by Largillière, and arguably the most iconic work in the Strasbourg museum. The identity of the depicted woman is unknown: she may be someone from the Strasbourg bourgeoisie, or a young Parisian in disguise (Strasbourg had become part of France only 22 years prior, in 1681), or the painter's own sister, Marie ...
Joanna Koerten (1650-1715) - excelled in painting, drawing, embroidery, glass etching, and wax modeling; Marie Duchatel (1652–1692) - painter and miniaturist with international career. Daughter of painter François Duchatel. Adriana Spilberg (1652-1700) - daughter of painter Johannes Spilberg, court painter in Düsseldorf
Rococo painting represents the expression in painting of an aesthetic movement that flourished in Europe between the early and late 18th century, migrating to America and surviving in some regions until the mid-19th century. The painting of this movement is divided into two sharply differentiated camps.