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The Williams family of painters, also known as the Barnes School, is a family of prominent 19th-century Victorian landscape artists known for their paintings of the British countryside, coasts and mountains. They are represented by the artist Edward Williams (1781–1855), his six sons, and several grandchildren. Edward Williams
It depicts the Forest of Fontainebleau near Fontainebleau. [1] Corot exhibited the painting at the Salon of 1834 at the Louvre in Paris. It is sometimes confused with another view of Fontainebleau which was exhibited at the Salon of 1831. [2] Today it is in the collection of the National Gallery of Art in Washington. [3]
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
19th-century paintings in Denmark (26 P) 0–9. 19th-century portraits (11 C, 204 P) B. Paintings by Jules Bastien-Lepage (5 P) Paintings by Anna Bilińska (2 P)
George Inness (May 1, 1825 – August 3, 1894) was an American landscape painter.. Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career.
White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art. In the early part of the 19th century, artists ventured to the White Mountains of New Hampshire to ...
Also, the tree tops are shrouded in swirling fog, providing the common "negative space" mentioned above in East Asian Art. In Japonisme, late 19th-century Post-Impressionists like Van Gogh and Henri de Toulouse-Lautrec, and tonalists such as James McNeill Whistler, admired early 19th-century Japanese Ukiyo-e artists like Hokusai (1760–1849 ...
Folk art in the United States refers to the many regional types of tangible folk art created by people in the United States of America.Generally developing in the late 18th and early 19th centuries, when settlers revived artistic traditions from their home countries in a uniquely American way, folk art includes artworks created by and for a large majority of people.