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White Mountain art is the body of work created during the 19th century by over four hundred artists who painted landscape scenes of the White Mountains of New Hampshire in order to promote the region and, consequently, sell their works of art. In the early part of the 19th century, artists ventured to the White Mountains of New Hampshire to ...
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
The Williams family of painters, also known as the Barnes School, is a family of prominent 19th-century Victorian landscape artists known for their paintings of the British countryside, coasts and mountains. They are represented by the artist Edward Williams (1781–1855), his six sons, and several grandchildren. Edward Williams
George Inness (May 1, 1825 – August 3, 1894) was an American landscape painter.. Now recognized as one of the most influential American artists of the nineteenth century, Inness was influenced by the Hudson River School at the start of his career.
Thomas Cole, c. 1844–1848. Thomas Cole is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century and was concerned with the realistic and detailed portrayal of nature but with a strong influence from Romanticism. [1]
19th-century paintings in Denmark (26 P) 0–9. 19th-century portraits (11 C, 204 P) B. Paintings by Jules Bastien-Lepage (5 P) Paintings by Anna Bilińska (2 P)