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Another well-known item of clothing for women in this era was the bulaji, a dress that was Soviet-inspired both in name and style. [21] The dual-purpose jacket was one of the most common and recognisable styles for Chinese women in the 1950s and 1960s, alongside the Lenin jacket, military-style clothing and work clothing. [22]
Cheongsam (UK: / tʃ (i) ɒ ŋ ˈ s æ m /, US: / tʃ ɔː ŋ ˈ s ɑː m /) or zansae, also known as the qipao (/ ˈ tʃ iː p aʊ /) and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the qizhuang, the ethnic clothing of the Manchu people.
Chinese clothing, including traditional Hanfu, ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [1]
Of note, just like women in the Tang dynasty period incorporated Central Asian-styles in their clothing, Central Asian women were also wearing some Hanfu-style clothing from the Tang dynasty and/or would combine elements of the Han Chinese-style attire and ornamental aesthetic in their ethnic attire.
The most eye-catching clothing in Tang dynasty is women's clothing, in which the traditional "Ruqun" (Ru Dress 襦裙) formed a unique fashion in the Tang dynasty and Tang people have their distinctive aesthetics. [1] One significant feature of this clothing is that the original collar was transformed into a low collar in the Tang dynasty. [1]
Two traditional forms of ruqun (襦裙), a type of Han Chinese clothing worn primarily by women. Cuffs and sleeves on the upper garment may be tighter or looser depending on style. A short skirt or weighted braid (with weight provided by a jade or gold pendant) is sometimes worn to improve aesthetics or comfort of the basic ruqun.
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