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Lamp was the first televised commercial produced by Crispin Porter + Bogusky (CP+B) for IKEA. The agency received the contract in early 2002, taking over from the Minneapolis-based advertising agency Carmichael Lynch, who had held the IKEA account since 2000, when the furniture chain ended its 11-year partnership with Deutsch Inc. [1] According to CP+B partner Alex Bogusky, the idea behind ...
In June 1949 he issued a memo to all staff in which he forbade BBC employees to illuminate any room with an Anglepoise lamp unless the main ceiling or wall light was also illuminated: Standing held a firm belief that a man working at a desk in a confined space with only the light from a low-power lamp would nurture furtive ideas and produce ...
A balanced-arm lamp has a base, a stand or body, (in most cases) two connected arms (in many cases fitted with springs), and a lamp-head. The lamp can be moved into almost any position, and the balancing device will maintain the position until moved again. The same overall mechanism can be employed in other devices with similar requirements ...
Myster Shadow-Sky is the one, and the only one composer who performed permanently from 1980 to 2007 the anglepoise lamp as a musical instrument: the archisonic lamp. He wrote in 1980 the score "Ludus Musicae Temporarium" for an anglepoise lamp orchestra with the world premiere by Les Percussions de Strasbourg at the contemporary music festival ...
The Chicago Lighting Institute was an educational and marketing association serving the lighting industry in the Midwest. The main aim of the institute was to acquaint architects, interior designers, electrical engineers, urban planners and the general public with the latest developments and applications in lighting.
To define light source color properties, the lighting industry predominantly relies on two metrics, correlated color temperature (CCT), commonly used as an indication of the apparent "warmth" or "coolness" of the light emitted by a source, and color rendering index (CRI), an indication of the light source's ability to make objects appear natural.