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Aragorn (Sindarin: [ˈaraɡɔrn]) is a fictional character and a protagonist in J. R. R. Tolkien's The Lord of the Rings.Aragorn is a Ranger of the North, first introduced with the name Strider and later revealed to be the heir of Isildur, an ancient King of Arnor and Gondor.
Born of Hope – a fan film that covers Aragorn's parents and childhood [35] Aníron - a love theme in Elvish for Aragorn and Arwen, composed and sung for the soundtrack of The Lord of the Rings film trilogy [36] The Loss and the Silence – a string quartet musical composition by Ezequiel Viñao that is titled with a quote from the tale [37]
Scholars and critics have identified many themes of The Lord of the Rings, a major fantasy novel by J. R. R. Tolkien, including a reversed quest, the struggle of good and evil, death and immortality, fate and free will, the danger of power, and various aspects of Christianity such as the presence of three Christ figures, for prophet, priest, and king, as well as elements like hope and ...
Aragorn too has a sword which was broken: the ancient and magical sword Narsil, of his distant ancestor Elendil, whose son Isildur used it to defeat the Dark Lord Sauron by cutting the Ring from his hand. Like Frodo, Aragorn arrives in Rivendell, and there he too receives a magic weapon: his sword is reforged, as Andúril, "Flame of the West ...
The motif of hope is illustrated in Aragorn's successful handling of Saruman's seeing-stone or palantír. Aragorn is given the very name of "Hope" (Sindarin "Estel"), by which he is still affectionately called by his queen, Arwen, who at the hour of his death cries out "Estel, Estel!". Only Aragorn, as the heir of Isildur, can rightfully use ...
In "The Tale of Aragorn and Arwen", Tolkien exemplifies this theme, as the Elf Arwen falls in love with a mortal Man, Aragorn, and despite her father's opposition, eventually marries him, giving up her immortality in the process.
There is a desperate need for hope in the world. Christianity stands as a light in the darkness. ... Reason #3: God is always faithful. “For You have been my hope, Sovereign Lord, my confidence ...
The medievalist Marjorie Burns writes that "J.R.R. Tolkien's Middle-earth is conspicuously and intricately northern in both ancient and modern ways." [4] She cites a letter to the classics scholar Rhona Beare, where Tolkien wrote that he had not invented the name "Middle-earth", as it had come from "inhabitants of Northwestern Europe, Scandinavia, and England".