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An acropolis is defined by the Greek definition of ἀκρόπολις, akropolis; from akros (άκρος) or akron (άκρον) meaning “highest; edge; extremity”, and polis (πόλις) meaning “city.” [2] The plural of acropolis (ακρόπολη) is acropolises, also commonly as acropoleis and acropoles, and ακροπόλεις in Greek.
The Acropolis of Athens (Ancient Greek: ἡ Ἀκρόπολις τῶν Ἀθηνῶν, romanized: hē Akropolis tōn Athēnōn; Modern Greek: Ακρόπολη Αθηνών, romanized: Akrópoli Athinón) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several ancient buildings of great architectural and historical significance ...
The Greek government does not recognise the British Museum's claims to own any part of the Acropolis temples and the return of the stolen Caryatid to Athens along with the rest of the so-called Elgin Marbles is the subject of a major international campaign. The Acropolis Museum holds the other five figures, which are replaced onsite by replicas ...
Both major ancient Greek philosophers were concerned with elucidating an existing aspect of the society in which they lived, the polis. Plato was more interested in the ideal; Aristotle, the real. Both had a certain view of what the polis was; that is, a conceptual model. All models must be tested, by definition.
The Areopagus (/ æ r i ˈ ɒ p ə ɡ ə s /) is a prominent rock outcropping located northwest of the Acropolis in Athens, Greece. Its English name is the Late Latin composite form of the Greek name Areios Pagos, translated "Hill of Ares" (Ancient Greek: Ἄρειος Πάγος).
Acrocorinth (Greek: Ακροκόρινθος, lit. 'Upper Corinth' or 'the acropolis of ancient Corinth') is a monolithic rock overlooking the ancient city of Corinth, Greece. In the estimation of George Forrest, "It is the most impressive of the acropolis of mainland Greece." [1]
The Peripatos (Ancient Greek: περίπατος, lit. 'walkway') is an ancient pathway that girds the Acropolis in Athens and intersects with the Panathenaic way on the north slope. It connects the shrines that are interspersed around the Acropolis hill.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.