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Typeface Family Spacing Weights/Styles Target script Included from Can be installed on Example image Aharoni [6]: Sans Serif: Proportional: Bold: Hebrew: XP, Vista
Offshoot font families of the Thesis font superfamily include TheAntiqua, [4] Nebulae, [5] and JesusLovesYouAll. [6] [7] TheAntiqua is a variant based on TheSerif. It included fonts in 7 weights and 1 width, with complementary italic fonts. OpenType feature includes small caps (roman only). TheAntiqua won an award in 1999 from Type Directors Club.
Kurinto Font Folio (open source , pan-Unicode, 21 typefaces, 506 fonts; v2.196 (July 26, 2020) has coverage of most of Unicode v12.1 plus many auxiliary scripts including the UCSUR) LastResort (fallback font covering all 17 Unicode planes, included with Mac OS 8.5 and up) Lucida Grande (Unicode font included with macOS; includes 1,266 glyphs)*
MS Reference Sans Serif is a derivative of Verdana Ref with bold and italic fonts. This font family is included with Microsoft Encarta. Tahoma is similar to Verdana but with tighter letter spacing. The Windows Mobile core font Nina [14] is a more condensed version of Tahoma and Verdana. [15]
Cascadia Code [7] is a purpose-built monospaced TrueType font for Windows Terminal, the new command-line interface for Microsoft Windows. It includes programming ligatures and was designed to enhance the look and feel of Windows Terminal, terminal applications and text editors such as Visual Studio and Visual Studio Code .
Sample text using different stylistic sets. Gabriola was inspired by the calligraphy of Jan van de Velde the Elder. [1] It was developed with advanced OpenType features and has been optimized for ClearType rendering to improve legibility on screens.
Impact is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield. [1] It is well known for having been included in the core fonts for the Web package and distributed with Microsoft Windows since Windows 98.
Costello created the font in 1982, when he was 23 years old and just out of college. He had been studying the Bible and came onto the idea of what a written font would have looked like in biblical times in the Middle East. [1] He hand-drew the font over a period of six months by means of calligraphy pen and textured paper.