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A bandolier bag is a Native American shoulder pouch, often beaded. Early examples were made from pelts, twined fabrics, or hide, but beginning in the fur trade era , Native American women stitched bags of imported wool broadcloth, lined with cotton calico and often edged with silk ribbons.
Berry creates beaded bandolier bags, moccasins, belts, knee bands, purses and sashes. She often uses beadwork designs that evolved from pre-Contact Mississippian pottery into traditional 18th and 19th century Southeastern beadwork. [3] Berry discovered a unique stitch only used on Southeastern sashes. [7] She is credited with reviving the art ...
Northern Plains Beaded Pipe Bag c. 1870s The Sioux Quilled Pipe Bag at left is decorated with quillwork forming flora and fauna, buffalo and caterpillars. The "cocoon" design symbolizes spiritual and physical transformation, [ 1 ] and the Sioux spirit Yumni, the whirlwind, responsible for the four directions of the world.
The range of her work included beaded contoured bags, tobacco pouches, ceremonial buckskin dancing attire such as wing-dresses and ribbon shirts, as well as designs for Pendleton coats. By 1805, beads, which were introduced by Europeans, played an important role in the local trade economy for many Native peoples.
Fogarty creates traditional Plains clothing and accessories, such as purses, pipe bags, dolls, cradle boards, rifle scabbards, and knife cases – all adorned with beadwork or porcupine quill embroidery. [3] Her quillwork is labor-intensive. She gathers her own quills from freshly killed porcupines, then washes and dyes them.
He was inspired to start beadwork after seeing a selection of beaded knife cases in a Santa Fe gallery in the mid-1980s. [5] Berryhill began beading knife sheaths to showcase his collection of old knives. [3] Later, he started beading medicine bags, small coin purses, and embellishing antique kitchen utensils as well as Navajo chief's blankets. [7]