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In a 1954 paper, Strachey gave one of just a few extant examples of the kinds of love letter the program would generate: Darling Sweetheart, You are my avid fellow feeling. My affection curiously clings to your passionate wish. My liking yearns for your heart. You are my wistful sympathy: my tender liking. Yours beautifully M. U. C.
One of Saroyan's most famous poems was simply the unconventionally spelled word "lighght" in the center of a blank page. This poem was selected by George Plimpton to be featured in The American Literary Anthology and, like all poems in the volume, received a $750 cash [14] award from the National Endowment for the Arts, then just 20 years old. [15]
Prior to this event, the technique had been published in an issue of 391 in the poem by Tzara, dada manifesto on feeble love and bitter love under the sub-title, TO MAKE A DADAIST POEM. [5] [1] In the 1950s, painter and writer Brion Gysin more fully developed the cut-up method after accidentally rediscovering it.
The following is a list of English words without rhymes, called refractory rhymes—that is, a list of words in the English language that rhyme with no other English word. The word "rhyme" here is used in the strict sense, called a perfect rhyme, that the words are pronounced the same from the vowel of the main stressed syllable onwards.
A quatrain is any four-line stanza or poem. There are 15 possible rhyme sequences for a four-line poem; common rhyme schemes for these include AAAA, AABB, ABAB, ABBA, and ABCB. [citation needed] "The Raven" stanza: ABCBBB, or AA,B,CC,CB,B,B when accounting for internal rhyme, as used by Edgar Allan Poe in his poem "The Raven" Rhyme royal: ABABBCC
Shelley wrote a number of poems devoted to Jane including With a Guitar, To Jane, One Word is Too Often Profaned, To Jane: The Invitation, To Jane: The Recollection and To Jane: The Keen Stars Were Twinkling. [2] In One Word is Too Often Profaned, Shelley rejects the use of the word Love to describe his relationship with Jane. He says that this ...
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One-letter words play a role in the Oulipian [155] constraint, a form of rhopalic verse in which the first line consists of a one-letter word. [156] But above all, they are the subject of a notable experiment by François Le Lionnais, dating from 1957 and published in La Littérature potentielle in 1973, of "Réduction d'un poème à une seule ...