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This poem is one of Lord Tennyson's shortest pieces of literature. It is composed of two stanzas, three lines each. Contrary to the length, the poem is full of deeper meaning and figurative language. Often literary scholars believe the poem is short to emphasize the deeper meaning in nature itself, that the reader has to find himself.
The poem uses figurative language including onomatopoeia, alliteration, imagery, and many others. Harold Bloom noted that it is "one of Frost's most respected poems, but it has not received the same depth of critical attention and explication as poems such as 'The Road Not Taken' and 'Stopping by Woods on a Snowy Evening.'" [5]
Literal and figurative language is a distinction that exists in all natural languages; it is studied within certain areas of language analysis, in particular stylistics, rhetoric, and semantics. Literal language is the usage of words exactly according to their direct, straightforward, or conventionally accepted meanings : their denotation .
Poetry (from the Greek word poiesis, "making") is a form of literary art that uses aesthetic and often rhythmic [1] [2] [3] qualities of language to evoke meanings in addition to, or in place of, literal or surface-level meanings. Any particular instance of poetry is called a poem and is written by a poet.
Written in spare language, "A slumber did my spirit seal" consists of two stanzas, each four lines long. The first stanza is built upon even, soporific movement in which figurative language conveys the nebulous image of a girl who "seemed a thing that could not feel / The touch of earthly years". The second maintains the quiet and even tone of ...
The Lucy poems fall within a genre of poems that includes Robert Herrick's lamentations on the death of young girls. [3] Written in spare language, "A slumber..." consists of two stanzas, each four lines. The first is built upon an even, soporific movement in which figurative language conveys the nebulous image of a girl. [4] The poem begins:
[The poem] exemplifies better than anything else [Dickinson] wrote the special quality of her mind ... If the word great means anything in poetry, this poem is one of the greatest in the English language; it is flawless to the last detail. The rhythm charges with movement the pattern of suspended action back of the poem.
The poem is composed both in metrical and non-metrical verse and centres on Nala, a character from the Mahabharata who metamorphosed into Bahuka. It is an acclaimed poem of Gujarati literature written in Sanskrit-styled figurative language. The poem was selected for the Ushnas Prize (1982–83) by the Gujarati Sahitya Parishad. [2]