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Only stressed syllables can alliterate (though "stressed" includes any syllable that counts as an upbeat in poetic meter, [15] [16] such as the syllable long in James Thomson's verse "Come . . . dragging the lazy languid line along".) The repetition of syllable-initial vowels functions as alliteration, regardless of which vowels are used. [17]
Alliteration: matching consonants sounds at the beginning of words; Assonance: matching vowel sounds; Consonance: matching consonant sounds; Holorime: a rhyme that encompasses an entire line or phrase; Spoonerism: a switch of two sounds in two different words (cf. sananmuunnos)
Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, [2] as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other ...
Consonants will always alliterate with consonants, but a vowel is allowed to alliterate with any other vowel. As in all Old English poetry, the alliterative form can be seen in the "Finnsburg Fragment" (alliterated sounds are in bold): Ac onwacnigeað nū, wīgend mīne [11] "But awake now, my warriors," ealra ǣrest eorðbūendra, [12]
In the 'a'-verse, additional, secondary stresses can also alliterate, as seen in the line quoted above from Piers Plowman ('a fair field full of folk', with four alliterations in the 'a'-verse), or in Sir Gawain l.2, "the borgh brittened and brent" with three alliterations in the 'a'-verse). Only the first stress in the 'b'-verse normally ...
"In literature, alliteration is the conspicuous repetition of identical initial consonant sounds" "Some literary experts accept as alliteration the repetition of vowel sounds" So, for those literary experts who don't accept alliteration as repetition of vowel sounds, this means that "always avoid alliteration" isn't a fumblerule. There might ...
They define alliteration as the repetition of consonants (whether initial or medial), and assonance as the repetition of vowel sounds or of syllables. [9] From the examples Bailey gives, such as ipse, it is clear that he considered that consonants at the end of syllables and words could contribute to alliteration as well as those at the ...
All rhymes in a strophe can be linked by vowel harmony into one assonance. Such stanzas can be found in Italian or Portuguese poetry, in works by Giambattista Marino and Luís Vaz de Camões: Giunto a quel passo il giovinetto Alcide, che fa capo al camin di nostra vita, trovò dubbio e sospeso infra due guide una via, che’ due strade era partita.