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It takes place at the Minor Basilica of Our Lady of Sorrows in Porto Alegre, Brazil. [1] Our Lady of Sorrows Church. The event is a meeting of vocal ensembles singing compositions made around the 16th century (1400–1600), including various types of sacred and secular polyphony.
Rabeca, Brazilian Portuguese Rabeca chuleira in European Portuguese: Hornbostel–Sachs classification (Composite chordophone sounded by a bow) Developed: Early 16th century: Related instruments; Violin family (fiddle, viola, cello) Viol family (includes double bass)
Pages in category "16th century in music" The following 114 pages are in this category, out of 114 total. This list may not reflect recent changes. 0–9.
The origins of Latin American music can be traced back to the Spanish and Portuguese conquest of the Americas in the 16th century, when the European settlers brought their music from overseas. [4] Latin American music is performed in Spanish and Portuguese.
19th-century, Brazil, sheet music: Sheet music in the Brazilian National Digital Library. Brazilian National Digital Library: Bodleian Library Broadside Ballads: Britain, broadside ballads: 30,000 Printed materials range from the 16th to the 20th Century. University of Oxford: Brahms-Institut: Johannes Brahms: 20,000
16th-century Brazilian people (2 C, 11 P) Y. Years of the 16th century in Brazil (10 C) Pages in category "16th century in Brazil" The following 16 pages are in this ...
Albert Eckhout Tapuias dancing, mid. 17th century. Since the 16th century the exploration of the Brazilian inland was attempted several times, mostly to try to find mineral riches like the silver mines found in 1546 by the Spanish in Potosí (now in Bolivia). Since no riches were initially found, colonisation was restricted to the coast where ...
Little is known of the music of Brazil before the area's first encounter with Portuguese explorers on 22 April 1500. During the colonial period, documents detail the musical activities of the major Roman Catholic cathedrals and the parlors of the upper classes, but data about musical life outside these domains are sparse.