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A 17th century English lapidary text. The etymological root of the word lapidary is the Latin word lapis, meaning "stone". [6] In the 14th century, the term evolved from lapidarius, meaning 'stonecutter' or 'working with stone', into the Old French word lapidaire, meaning 'one skilled in working with precious stones'.
Pietra dura (Italian: [ˈpjɛːtra ˈduːra]), pietre dure ([ˈpjɛːtre ˈduːre]) or intarsia lapidary [1] , called parchin kari or parchinkari (Persian: پرچین کاری) in the Indian Subcontinent, is a term for the inlay technique of using cut and fitted, highly polished colored stones to create images. It is considered a decorative art ...
The Lizzadro Museum of Lapidary Art was opened on November 4, 1962. The museum was founded by Joseph Lizzadro, an Italian immigrant to the United States who began collecting jades as part of his interest in cutting and polishing precious stones for jewelry. His collection came to include pieces made of amber, ivory, coral, agate, and other ...
The so-called Old English Lapidary (Cotton Tiberius A.iii) is a 10th or 11th century Old English lapidary, a translation of older Latin glosses on the precious stones mentioned in the Book of Revelation.
A lapidary is a text in verse or prose, often a whole book, that describes the physical properties and metaphysical virtues of precious and semi-precious stones, that is to say, a work on gemology. [1]
Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way.
The lapidarium section in the Aquincum Museum, Budapest, Hungary Lapidarium, Brussels Lapidarium with epitaphs in the Schottenstift (Scottish Abbey), Vienna. A lapidarium is a place where stone (Latin: lapis) monuments and fragments of archaeological interest are exhibited.
The Lapidary Museum is a lapidarium-museum in Avignon, France. It has housed the classical Greek, Etruscan, Roman and Gallo-Roman sculptures and objects of the Calvet Museum since the 1980s. They are both run by the Fondation Calvet .