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Quarteto em Cy (a play on words of the Portuguese for Quartet in B by poet and lyricist Vinicius de Moraes) was a Brazilian girl group originally composed of four sisters hailing from Ibirataia, a town located in the Brazilian state of Bahia: Cybele, Cylene, Cynara and Cyva – their real first names.
Choro (Portuguese pronunciation:, "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm.
Romo earned two nominations at the Lo Nuestro Award in 1992 for the track, Pop Song of the Year and Best Music Video, winning the latter. [2] [3] "Todo, Todo, Todo" has a choreography which is a staple at Filipino informal/formal (hall) parties. The video received a Billboard Music nomination for Latin Video of the Year by a Female Artist. [4]
These categories are not exhaustive. A music platform, Gracenote, listed more than 2000 music genres (included by those created by ordinary music lovers, who are not involved within the music industry, these being said to be part of a 'folksonomy', i.e. a taxonomy created by non-experts).
November 8 – The 8th Annual Latin Grammy Awards are held at the Mandalay Bay Events Center in Paradise, Nevada. [1]Dominican singer-songwriter Juan Luis Guerra is the most awarded artist of the song with his "La Llave de Mi Corazón" winning the awards for Record of the Year and Song of the Year as well as Album of the Year for the album of the same name.
Busca una Mujer ("Looks for a woman"), also known as Un Hombre Busca una Mujer, is the sixth studio album by Mexican singer Luis Miguel. It was mainly written and produced by Juan Carlos Calderón , and released on November 25, 1988, as the second album released with Warner Music .
Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
Vittar's music is considered as "unofficial anthems for Brazil's lesbian, gay, bisexual, and transgender community" [31] and he is widely viewed as a voice for them. Because dangers to LGBTQ+ people have grown in Brazil, [ 40 ] Vittar's openness about being gay has made him an icon to those living in a prejudiced environment.