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Citizen Kane is a 1941 American drama film directed by, produced by and starring Orson Welles and co-written by Welles and Herman J. Mankiewicz. It was Welles's first feature film. [5] Citizen Kane is frequently cited as the greatest film ever made. [6]
RKO 281 is a 1999 American historical drama television film directed by Benjamin Ross, written by John Logan, and starring Liev Schreiber, James Cromwell, Melanie Griffith, John Malkovich, Roy Scheider, and Liam Cunningham.
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
The Battle Over Citizen Kane is a 1996 American documentary film directed and produced by Thomas Lennon and Michael Epstein, from a screenplay by Lennon and Richard Ben Cramer, who also narrates. [1] It chronicles the clash between Orson Welles and William Randolph Hearst over the production and release of Welles's 1941 film Citizen Kane ...
Charles Foster Kane is a fictional character who is the subject of Orson Welles' 1941 film Citizen Kane. Welles played Kane (receiving an Academy Award nomination), with Buddy Swan playing Kane as a child. Welles also produced, co-wrote and directed the film, winning an Oscar for writing the film.
Citizen Kane (1941) The Devil and Miss Jones (1941) Here Comes Mr. Jordan (1941) Mr. Bug Goes to Town (1941) Mr. & Mrs. Smith (1941) The Strawberry Blonde (1941) Ziegfeld Girl (1941) Cat People (1942) Grand Central Murder (1942) Holiday Inn (1942) The Pride of the Yankees (1942) Saboteur (1942) Tales of Manhattan (1942) Tarzan's New York ...
Herman Jacob Mankiewicz (/ ˈ m æ ŋ k ə w ɪ t s / MANG-kə-wits; November 7, 1897 – March 5, 1953) was an American screenwriter who, with Orson Welles, wrote the screenplay for Citizen Kane (1941).
Citizen Kane: A Filmmaker’s Journey describes Welles' rise to prominence, the creative control he received in his first Hollywood contract, studio infighting over the project at RKO Radio Pictures, the pressurized production schedule, the plot by the Hearst Corporation – critical of the similarity between real-life publisher William Randolph Hearst and the character of Charles Foster Kane ...
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