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In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
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What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The Later Le dynasty ( Vietnamese : Nhà Hậu Lê , 1428–1789), at that time musicians called Vietnamese : hát khuôn performed only on religious court ...
Singing Quan họ at Hoàn Kiếm Lake Women sing Quan họ at Đô Temple. Quan họ (Vietnamese: [kwaːn hɔ̂ˀ]) singing is a Vietnamese folk music style characterized both by its antiphonal nature, with alternating groups of female and male singers issuing musical challenges and responses.
It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical ...
Xoan singing or hát xoan (Vietnamese for 'spring singing', Chữ Nôm: 咭春) is a genre of Vietnamese folk music performed in spring during the first two months of the Tết Nguyên Đán in Phú Thọ Province. [1] The genre includes acting, ceremony, chant, dancing, drumming, and singing; with themes involve romance, riddles, and work. [1]
Tiếng Việt; West-Vlams; ... Singing techniques (6 C, 36 P) V. Voice registers ... About Wikipedia; Disclaimers; Contact Wikipedia; Code of Conduct;
Xẩm or Hát xẩm (Xẩm singing) is a type of Vietnamese folk music which was popular in the Northern region of Vietnam but is considered nowadays an endangered form of traditional music in Vietnam. In the dynastic time, xẩm was performed by blind artists who wandered from town to town and earned their living by singing in common places.