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In its physical aspect, singing has a well-defined technique that depends on the use of the lungs, which act as an air supply or bellows; on the larynx, which acts as a reed or vibrator; on the chest, head cavities and the skeleton, which have the function of an amplifier, as the tube in a wind instrument; and on the tongue, which together with the palate, teeth, and lips articulate and impose ...
It is used in the teaching of singing and assists in defining what singing is, how singing works, and how singing technique is accomplished. Vocal pedagogy covers a broad range of aspects of singing, ranging from the physiological process of vocal production to the artistic aspects of interpretation of songs from different genres or historical ...
There was, therefore, a difference of opinion between these two very distinguished singing masters of the 19th century as to the meaning of portamento, and its relation to the legato and the musical slur. It reflected not merely a distinction of terminology but divergent understandings of a fundamental aspect of singing technique.
Pages in category "Singing techniques" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. A. Ammoniaphone;
Belting (or vocal belting) is a specific technique of singing by which a singer carries their chest voice above their break or passaggio with a proportion of head voice. Belting is sometimes described as "high chest voice" or "mixed voice" (not to be confused with the mixing technique), although if this is done incorrectly, it can potentially ...
Singing techniques (6 C, 36 P) V. Voice registers (12 P) Voice types (1 C, 35 P) Pages in category "Singing" The following 64 pages are in this category, out of 64 total.
Singing techniques (6 C, 36 P) String performance techniques (1 C, 26 P) Pages in category "Musical performance techniques" The following 34 pages are in this ...
Singing is produced while a singer is inhaling. This technique combined with exhaling and other techniques can produce a continuous stream of voice that is widely used in extreme metal styles like death metal, it is also employed in other styles to create a strained or even humorous effect.