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Ravel completely reworked his idea of Wien into what became La valse, which was to have been written under commission from Serge Diaghilev as a ballet. However, he never produced the ballet. [6] After hearing a two-piano reduction performed by Ravel and Marcelle Meyer, Diaghilev said it was a "masterpiece" but rejected Ravel's work as "not a ...
Stokowski introduced the Ravel orchestration of Pictures to Philadelphia audiences in 1929, but was not fully satisfied with the arrangement, feeling it needed a more Slavic sound. His version was finished 10 years later, without much of the French influence he saw in Ravel's.
Ravel made orchestral versions of piano works by Schumann, Chabrier, Debussy and Mussorgsky's piano suite Pictures at an Exhibition. Orchestral versions of the last by Mikhail Tushmalov , Sir Henry Wood and Leo Funtek predated Ravel's 1922 version, and many more have been made since, but Ravel's remains the best known. [ 216 ]
The content used in à r. is formed by two different types of textures: on the one hand, random walks and, on the other hand, simultaneities. Simultaneities can be described as Xenakis's adaptation of the concept of a sound mass as a complex chord, which therefore creates a vertical block of timbral color.
In the years 1904–05, as he was finishing his String Quartet, Ravel composed Miroirs (Mirrors), a suite of five short piano pieces. [13] He later orchestrated two of them: the orchestral version of "Une Barque sur l'océan" (A Barque on the Ocean) came out in 1906; [14] more than a decade elapsed before Ravel orchestrated the other, the "Alborado del gracioso".
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel.Composed between 1907 and 1908, the Rapsodie is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire.
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L'heure espagnole is a French one-act opera from 1911, described as a comédie musicale, with music by Maurice Ravel to a French libretto by Franc-Nohain, based on Franc-Nohain's 1904 play ('comédie-bouffe') of the same name [1] [2] The opera, set in Spain in the 18th century, is about a clockmaker whose unfaithful wife attempts to make love to several different men while he is away, leading ...