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Décollage is an art style that is the opposite of collage; instead of an image being built up of all or parts of existing images, it is created by ripping and tearing away or otherwise removing pieces of an original image. [1] The French word "décollage" translates into English literally as "take-off" or "to become unglued" or "to become ...
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Pieces of digital art range from captured in unique displays and restricted from duplication to popular memes available for reproduction in commercial products. Repositories for digital art include pieces stored on physical media, galleries on display on websites, and collections for download for free or purchase.
Kurt Schwitters, Das Undbild, 1919, Staatsgalerie Stuttgart. Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
The Variable Media Questionnaire is a free web service that allows new media curators and repositories to share the most effective strategies of preservation for different forms of new media art. It focuses particularly on creating guidelines for preserving the art once the original medium or software is not available. [ 13 ]
Organic décollage is a phrase used by the photographer Maria Stengard-Green [1] to describe the naturally occurring or non-artistically organized décollage that echoes the work of Mimmo Rotella, Raymond Hains, Jacques Villeglé, Yves Klein and Robert Rauschenberg, and whose antecedents probably influenced their pioneering work.
Rotella wanted to somehow find some form of artistic innovation and at the same time give artistic dignity to a common object, and of little value removed from its natural environment. The first trials of Rotella with decollage date back to 1953. The first decollage, in most small cases, were exhibited for the first time in the spring of 1955.