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"Lemon" is one of Kajii's few works to have been translated into English. Although he was a relatively unknown writer during his short lifetime who published in a few literary magazines, Kajii's poetic short stories are recognized today as masterpieces in Japan. The eponymous story "Lemon" is known as his representative work.
Motojirō Kajii (梶井 基次郎, Kajii Motojirō, also Motojirou Kajii, February 17, 1901 – March 24, 1932) was a Japanese writer in the early Shōwa period known for his poetic short stories. Kajii's works included Remon ( 檸檬 , " Lemon ") , "Shiro no aru machi nite" ( 城のある町にて , "In a Castle Town") .
Kajii (written: 梶井 or 梶居) is a Japanese surname. Notable people with the surname include: Notable people with the surname include: Katsushi Kajii ( 梶居 勝志 , born 1963) , Japanese footballer
Lemon (automobile), a defective car; Lemon (color) Lemon v. Kurtzman, a U.S. Supreme Court decision; Lemon technique, a method to determine the relative strength of thunderstorm cells; Lemon Party or Parti Citron, a frivolous Canadian political party; Lemon (geometry), the shape of, for example, an American football
The remaining three works are short stories. Each of the five stories was written by Monáe and a different coauthor. [2] The stories reference Monáe's previous work; the characters Jane, Zen, and Che appear in both the Dirty Computer film and the story "Nevermind." The music video for "Pynk" is set at the same hotel as the story. [10]
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The lemon, covered by shadow, against a black background. Lemon shows a single lemon in a fixed position, with lighting that changes over the course of the film. At the beginning of the film, the yellow surface appears against a black background, with one end protruding on the right. As the light becomes brighter, more of the lemon becomes visible.
Kirkus Reviews began "A haunting series of stories, in most cases putting it up to the reader to interpret the final outcome – in all cases using the device of the moment in life when emotion or reason reaches the point of tension beyond which something snaps", and finished with "In this collection...Daphne du Maurier's peerless craftmanship, her eerie sense of the macabre, her gift for ...