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A 7-string version of this tuning is used by Muse on their song "Citizen Erased", tuned A-a-D-d-G-B-E, as well as on Supremacy, which features a standard six-string guitar. Sevendust uses this tuning a half-step down on "Home".
Hybrid of banjo and ukulele. Same tuning as a ukulele of the same scale. Banjolin: 4 strings 4 courses. G 3 D 4 A 4 E 5: Mandolin-banjo, Melody Banjo, banjoline, bandoline US Hybrid of mandolin and banjo but with only one string per course Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete ...
The most commonly used tuning is A-E-A-E. Likewise banjo players in this tradition use many tunings to play melody in different keys. A common alternative banjo tuning for playing in D is A-D-A-D-E. Many Folk guitar players also used different tunings from standard, such as D-A-D-G-A-D, which is very popular for Irish music.
The Beacon Banjo Company of Woodstock, New York was founded in January 1964 by banjo player Bill Keith and his college friend Dan Bump to manufacture and market their new D-tuners, now commonly called Keith tuners. With these tuners, banjo players can change pitches accurately while playing.
Banjo guitar, also known as banjitar [1] or ganjo, [2] is a six-string banjo tuned in the standard tuning of a six-string guitar (E2-A2-D3-G3-B3-E4 from lowest to highest strings). The instrument is intended to allow guitar players to emulate a banjo, without learning the different tuning and fingering techniques required for the standard five ...
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
Known today simply as Keith Tuners, they remain the state of the art, and Bill Keith continued to manufacture and market them personally as the primary product of his own company, the Beacon Banjo Company, until his death. Beacon Banjo tuners continue their proud tradition, now in the hands of his son, Martin.
James Williamson used Nashville tuning on "Gimme Danger" [4] on Raw Power by the Stooges. Elliott Smith used a variant of Nashville tuning with a twelve-string guitar on XO for the song "Tomorrow Tomorrow." [5] Pat Metheny is known for using Nashville tuning on several occasions, notably his song "Phase Dance" from his group's debut album.