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"All Dressed Up for School" is a song by American rock band the Beach Boys that was recorded in 1964 during the early sessions for their album The Beach Boys Today!. Written by Brian Wilson, the lyrics express the narrator's newfound fascination with a girl after realizing "what a turn on" she is in school clothes. It is one of the last ...
This is a partial list of recorded songs containing the '50s progression. The list does not include songs containing the progression for very short, irrelevant sections of the songs. In some cases, such as "Blue Moon", it includes notable remade recordings of songs ("covers") by other artists; but mostly the songs are shown in their original ...
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
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Shae started her career at the age of 11 by performing in music, film, and stage. [5] She began her singing career when she was 15 years old. Shae underwent three years in the Farabi vocal school, then went on to private lessons vocal with Katamsi Doddy.
Scott Foundas of Variety described this song as "tender and haunting", noting that street urchin Tobias "becomes, for a moment, her surrogate son". [1] Reviewing the 2007 film, Peter Travers of Rolling Stone wrote "[Helena] Bonham Carter evokes chills in 'Not While I'm Around,' a ballad of devotion she croons to her young apprentice, Toby, just before she arranges his demise". [2]
Other songs from the same period also used the tune. The same notes form the bridge in the "Hot Scotch Rag", written by H. A. Fischler in 1911. [citation needed] An early recording used the seven-note tune at both the beginning and the ending of a humorous 1915 song, by Billy Murray and the American Quartet, called "On the 5:15".
The song may be disappointingly paternalistic (you keep hoping she’ll avenge her own damn self), but Lainey settles into the character, subtly conveying the accumulation of traumas that have led ...