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Charles Haslewood Shannon RA [2] (26 April 1863 – 18 March 1937) was an English artist best known for his portraits. [3] His works featured in several major European collections, including London's National Portrait Gallery .
Georg Satzinger who shares Dreyer´s view, published in 2023 a summary of the debate and concluded: “Finally, the evidence of Giambologna´s artistic hand as transferred into the bronze cast thanks to a perfect moulage of the original clay model and the close comparability of the Venus with other unquestionable works by the artist is a self ...
Charles Shannon may refer to: Charles Shannon West (1829–1885), Texas politician; Charles Haslewood Shannon (1865–1937), English artist; Charles Shannon (artist) (1914–1996), American artist; Charles Shannon (ice hockey) (1916–1974), American ice hockey player; C. Shannon Mallory (1936–2018), Anglican bishop; Charles E. Shannon (1943 ...
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The Bath of Venus, 1751 – National Gallery of Art, Washington. With Boucher, the sumptuous Baroque was transformed into the gallant Rococo . The best representative and principal author the era's taste, Boucher used his imagination and virtuosity in exploring themes such as pastorals, bucolic landscapes, and mythological scenes dedicated to ...
He met Charles Ricketts and Charles Shannon, and contributed woodcuts to their Dial. In 1894, he founded the Eragny Press [2] and with his wife and illustrated and printed books until the press was closed in 1914. In 1897, the family moved to 62 Bath Road in Stamford Brook, Chiswick. [1] In 1903, he designed the typeface Brook Type. [3]
Leighton's five contributions to the Royal Academy of 1867 were marked by an increasing devotion to Greek ideals, and by a refinement of finish. [1] Among the pictures exhibited was Venus Disrobing for the Bath, one of the most debated of all the artist's paintings of the nude.
In 1890 The Bath of Psyche was exhibited at the Royal Academy of Arts. The critic of The Spectator was full of praise: Whether you call No. 310 "Psyche," or, better, "Soma," we can admire her pretty, graceful lines, and the wonderful pure colour of the curtain and the sky, of the gold and of the copper, and the unfaltering hand that has drawn ...