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Opening credits to the television cartoon series Calvin and the Colonel. In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or ...
Opening credits and theme music to the television cartoon series Calvin and the Colonel Title sequences for television series have routinely played a central role in establishing the show's identity. Repeated at the beginning of every new and rebroadcast episode, usually with limited changes over the course of the series' run, they can become ...
Opening credits, in a television program, motion picture, or video game, are shown at the beginning of a show or movie after the production logos and list the most important members of the production. They are usually shown as text. Some opening credits are built around animation or production numbers of some sort (such as the James Bond films ...
The Fall Guy (set to a title track crooned by star Lee Majors himself), Dallas, Happy Days and Dynasty are but a handful of examples whose opening credits easily broke a minute-and-a-half in ...
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The opening and closing credits theme during the first two seasons was "Rise and Shine", a lively instrumental underscore accompanying Fred on his drive home from work. . [23] Starting in season three, episode three ("Barney the Invisible"), the opening and closing credits theme was "Meet the Flintstones".
The main title is the music, often later recorded on soundtrack albums, that is heard in a film while the opening credits are rolling. [1] It does not refer to music playing from on-screen sources such as radios, as in the original opening credits sequence in Touch of Evil.
The first motif, which is heard most frequently, is known simply as "Theme from Jurassic Park" and is introduced when the visitors first see the Brachiosaurus.This is what Williams chose to be the theme of the park itself and features "gentle religioso cantilena lines", which Williams declared was an attempt, "to capture the awesome beauty and sublimity of the dinosaurs in nature".