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Painted for private devotion, it shows a full-length Mary holding Jesus. Mother and son are surrounded by four angels; the two above Mary are adorned with large colourful wings and hold a golden crown, symbolising her role as Queen of Heaven [4] while another two, each bearing large wings, sit on either side of her playing a harp and lute respectively.
A simple Italian Virgin and Child by Carlo Crivelli, c. 1470. Virgin and Child or Madonna and Child or Mary and Child usually refers to artistic depictions of Mary and Child Jesus together, as part of both Catholic and Orthodox church traditions, and very notably in the Marian art in the Catholic Church. The various different names are ...
In the Islamic tradition, Mary and Jesus were the only children who could not be touched by Satan at the moment of their birth, for God imposed a veil between them and Satan. [236] [237] According to the author Shabbir Akhtar, the Islamic perspective on Mary's Immaculate Conception is compatible with the Catholic doctrine of the same topic.
The Virgin and Laughing Child, also called The Virgin with the laughing Child, or generally abbreviated as another of many depictions of the Virgin and Child, [1] is a statuette originating in Florence and was made circa 1460. [1] It is a terracotta figure of the Virgin Mary carrying the laughing child Jesus Christ. [1]
Version of the Theotokos of Smolensk by Dionisius (c. 1500) 12th-century plaque found in Torcello Cathedral; a full-length figure like the original in Constantinople. A Hodegetria, [a] or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind.
Our Mother of Perpetual Help, Icon of the Virgin Mary, 16th century. St. Catherine's Monastery in the Sinai. The Salus Populi Romani icon, overpainted in the 13th century, but going back to an underlying original dated to the 5th or 6th century Madonna and Child by Filippo Lippi (15th century)
In Luke's Gospel, Joseph and Mary travelled to Bethlehem, the family of Joseph's ancestors, to be listed in a tax census; the Journey to Bethlehem is a very rare subject in the West, but shown in some large Byzantine cycles. [2] While there, Mary gave birth to the infant, in a stable, because there was no room available in the inns.
Salus Populi Romani (English: Salvific Health of the Roman Peoples) is a Roman Catholic title associated with the venerated image of the Blessed Virgin Mary in Rome.This Byzantine icon of the Madonna and Child Jesus holding a Gospel book on a gold ground, now heavily overpainted, is kept in the Borghese (Pauline) Chapel of the Basilica of Saint Mary Major.