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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The Golden Sun Bird motif is used as a logo to represent China's cultural heritage. In 2011, the city of Chengdu selected the Golden Sun Bird as the design for its logo. [3] The pattern is featured on the coat of arms of Joseph Tang Yuange, Roman Catholic Bishop of Chengdu since 2016, as well as on the coat of arms of the Diocese of Chengdu.
Other birds include the Bi Fang bird, a one-legged bird. [7] Bi is also number nineteen of the Twenty-Eight Mansions of traditional Chinese astronomy , the Net ( Bi ). There are supposed to be the Jiān ( 鶼 ; jian 1 ): the mythical one-eyed bird with one wing; Jianjian (鶼鶼): a pair of such birds dependent on each other, inseparable, hence ...
These hanging scrolls cover large areas of a wall and usually do not have a border in between. [10] Couplet (對聯) A couplet is two hanging scrolls placed side by side or accompanying a scroll in the middle. They have calligraphy in vertical writing. This style became popular during the Ming dynasty (1368–1644). [12] Thin strip painting ...
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