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Mystic Marriage of Saint Catherine (c. 1524) by Parmigianino. Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a c.1524 oil on canvas painting by the Italian Renaissance painter Parmigianino. The work is now in the Galleria nazionale di Parma.
Mystic Marriage of Saint Catherine is an unfinished c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino.. It dates to the painter's time in Bologna or a few years earlier during his stay in Rome.
In 1521, Parmigianino was sent to Viadana (along with painter Girolamo Bedoli who was to marry his cousin) to escape the wars between the French, Imperial, and papal armies. In Viadana, he painted two panels in tempera, depicting Saint Francis for the church of the Frati de' Zoccoli, and the Mystical Marriage of Saint Catherine for San
Giorgio Vasari wrote of a "Madonna seen from the side, in a fair pose, with several other figures" made by Parmigianino for a saddler friend of his in Bologna.That work was first linked to the London work in 1784, though some art historians date it a few years earlier during the artist's time in Rome, which ended with the Sack of Rome in 1527.
Bardi Altarpiece (Parmigianino) Mystic Marriage of Saint Catherine (Parmigianino, London) Mystic Marriage of Saint Catherine (Parmigianino, Louvre) Mystic Marriage of Saint Catherine (Parmigianino, Parma) The Mystic Marriage of Saint Catherine (Poussin) Madonna and Child with St John the Baptist and St Catherine of Alexandria (Previtali)
Mystical Marriage of Saint Catherine (Parmigianino), known as the Bardi Altarpiece, c.1521 painting in the church of Santa Maria at Bardi, Emilia-Romagna, Italy; Mystic Marriage of Saint Catherine (Parmigianino, Louvre), c. 1529 painting in the Louvre, Paris, France; Mystic Marriage of Saint Catherine (Parmigianino, National Gallery), c. 1529 ...
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
At the sides are two saints, St. John the Evangelist (with a chalice full of snakes, a hint to his alleged miraculous discovery and healing of a poisoned drink) and St. John the Baptist, who holds his typical attribute, a tall and slim cross. Catherine's attributes are shown in the low foreground, including a broken wheel and the martyrdom palm.