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Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
His snare-drum style is often referred to in the drumming community as "The Gladstone Technique". This technique involves the use of the fingers to control the rebound of the drum stick, as opposed to the "Moeller Method" which utilizes a fluid whipping motion to control stick rebound. Both Gladstone and Moeller are now popularly noted for ...
It is recommended that once a rudiment is learned, as far as the technical sticking and accents, that it be practiced regularly with the open, closed, open technique as well as at a moderate march tempo to ensure that a drummer or percussionist is able to play the rudiment accurately at any speed necessary for performance of musical repertoire. [4]
Traditional grip is almost exclusively used to play the snare drum, especially the marching snare drum, and often the drum kit. Traditional grip is more popular in jazz drumming than in other drum kit styles due to the early jazz drummers evolving their style from marching and military styles and instrumentation, [ 1 ] although it is also used ...
The Casey Claw is a rudimental snare drum technique that is used as an impressive visual effect for a very short phrase of music. It was created by Mark Casey in 1990 while attending the University of Kentucky.
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
Snare drum technique; Snare rush; Split-finger; Stevens grip; Sting (percussion) Y. Yatai-bayashi This page was last edited on 19 May 2013, at 14:03 (UTC). Text is ...