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Pillaiyar Suḻi (Tamil: பிள்ளையார் சுழி), also rendered Ganesha's curl or Ganesha's circle, is a sacred textual symbol. It is dedicated to the Hindu deity Pillaiyar (Ganesha), who is ritually worshiped first with prayers for success and is used to symbolize an auspicious beginning.
Vatapi Ganapatim praises the god Ganesha "Vatapi Ganapatim" is a part of the series of hymns called Shodasha Ganapati kritis, a collection of songs dedicated to sixteen Ganesha icons located in shrines around Dikshitar's birthplace Thiruvarur. [1]
13th-century Ganesha bronze. Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to ...
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Ganesha as Mayureshwara with consorts Riddhi and Siddhi, Morgaon.Samarth Ramdas composed the arati inspired by Mayureshwara. Sukhakarta Dukhaharta (literally "harbinger of happiness and dispeller of distress", [1] Marathi: सुखकर्ता दु:खहर्ता, sukhakartā duḥkhaharta), also spelled as Sukhkarta Dukhharta, is a popular Marathi arati, song or bhajan (devotional ...
Gambhiranata is a rāga in Carnatic music (musical scale of South Indian classical music) and Yakshagana where it is called Naati. It is an audava rāgam (or owdava rāga, meaning pentatonic scale). It is a janya rāga (derived scale), as it does not have all the seven swaras (musical notes).
Heramba (Sanskrit: हेरम्ब, Heraṃba), also known as Heramba Ganapati (Heraṃba-gaṇapati), is a five-headed iconographical form of the Hindu god Ganesha (Ganapati). This form is particularly popular in Nepal. [1] This form is important in Tantric worship of Ganesha. He is one of the most popular of the thirty-two forms of Ganesha.
Thirty-two forms of Ganesha are mentioned frequently in devotional literature related to the Hindu god Ganesha. [1] [2] [3] The Ganesha-centric scripture Mudgala Purana is the first to list them. [4] Detailed descriptions are included in the Shivanidhi portion of the 19th-century Kannada Sritattvanidhi.